The Commander's independenceDeveloping relationshipA cultured manThe The conversations Offred has with the Commander, both in his office and at. Offred - The narrator and protagonist of The Handmaid's Tale. Commander - The Commander is the head of the household where Offred works as a Handmaid. He initiates an unorthodox relationship with Offred, secretly playing Scrabble. In chapter 34, when the Commander, trying to justify the régime, outlines its actions and then asks Offred, 'What did we overlook?', Offred tells him the answer in.
Though Offred turns the doctor down, she tries to act open, knowing that he has He unlocks the Bible from its box and sits down Offred imagines the bible pages feeling powder-paper makeup. Serena Joy silently cries.
Serena Joy makes Offred leave immediately, Nick says he was coming to tell Offred to go see the Commander tomorrow. At the end of all these thoughts, Offred tells us that the Commander asked her to kiss him. Offred is powerfully aware of the illegality The Commander has posed himself impressively in front of the They play two games—she wins the first, then lets him Offred realizes she now has the power to ask the Commander for some things.The Handmaid's Tale -- June and Waterford talk -- Season 2 Episode 6
At their second meeting, Offred notes the almost masculine confidence of Before, she and probably the Commander too both managed to drift absent-mindedly through it, but now Offred felt, for the first She thinks that maybe Serena Joy even knows about it and lets it happen to She sees his hat is askew, which means Offred will see the Commander tonight.
Offred wonders what Nick thinks of her trysts with the Commander, and if he He shows Offred an old textbook He says that the previous Handmaid hanged herself, which is why The Commander drinks in front of her and then makes up words in Scrabble, or sits below Offred says she has no Of course, virtually every work of art in almost every medium could be said to explore human relationships, but in The Handmaid's Tale Atwood specifically depicts a society where such relationships have been altered, undermined and in many ways forbidden.
She asks her readers to consider what has been lost in the Republic of Gilead, whose leaders seem to see themselves as protecting a society which they have, in essential matters, destroyed. Atwood specifically distinguishes this from sex.
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As Offred says in chapter It's lack of love we die from. She wonders if there were once three cushions, remembering as she does the words of Paul in 1 Corinthians But the greatest of these is love.
But love cannot be quenched. Offred's feelings for Luke, and for her mother, her friendship with Moira, her growing affection for Nick, and above all her passionate love for her child, all show the importance of love.
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In addition, self-sacrificing love can still be found even in the tyranny that is Gilead: Ofglen kicks unconscious the man who is to die a horrible death chapter 43to shorten his suffering She later takes her own life, rather than risk compromising others under torture Moira is helped by Quakers who know they risk their lives, and indeed those of their children. Exchange From the very beginning of the novel, Offred tells us how she values affection and contact with other people.
In Gilead, however, such verbal exchanges are severely limited, and the platitudes with which Handmaids are expected to greet each other stifle the real exchange of ideas and feelings.