Spock And Kirk’s Relationship In A Nutshell | WeKnowMemes
The Simple Feeling and Beyond: Kirk and Spock's Place in Queer made no mention of the perception of the relationship as romantic in either. Spock and Kirk in a nutshell (How this hasn't made it onto my. Read it When your celebrity crush describes what they look for in a relationship. Star Trek. In one scene, Kirk shares a bed with Spock and kisses him on the lips, relationship,” said Roberto Orci, co-screenwriter of the new film.
I never thought of that before. InGerrold commented: One of the truths I've been telling lately is that Kirk and Spock are not lovers They're just good friends.
This has offended a whole subculture that is convinced they are I was at a convention in Milwaukee a few weeks ago. This lady comes up to me with this stuff, and after a thirty minute discussion, I finally said, 'Stop! We're arguing over whether or not two fictitious characters are getting their hands in each others' pants. Fontana replied, "In answer to your question, NO — there were no homosexual double-entendres in the script — at least none that were deliberate.
If some viewers chose to read that into the dialogue, etc. It also was a peek into the Vulcan culture that no one had seen before. That's ALL we were doing. There is no basis to it. Setting the characters there provides familiarity for the audience and means that the author does not need to set up the world so much.
However, a difficulty can be that it is necessary to provide an explanation for why the mission is not focused on in the story, in order to focus on the relationship between the two men. Shore leave is a common theme. They may neglect the relationship in future years but pon farr compels them to consummate the marriage at the appropriate time.
Vulcans must mate or die trying.
However, in "Amok Time", Spock finds that a substitute to giving in to pon farr is to kill another, and thus Spock's pon farr imperative ends after he kills. Another key element in 'first time' stories and in established relationship stories is the mind meld - either as a way to break the barriers between the men, or as a plot device.
An unbearable pain to which the Enterprise is nothing more than a band-aid, and we are left to wonder, if she cannot bring him out of the agony that he so clearly suffers, what is there in the universe that can?
Once aboard the Enterprise, things do not improve. There is a scene of Kirk alone in the turbo lift, and although he takes a moment to enjoy her smooth walls and the look of her new graphics, he also takes another moment to steel himself, closing his eyes and taking a deep breath. One again, we cannot escape the fact that we are seeing a man who is in unbearable pain, and we still, frustratingly, do not know its cause. Even being reunited with his old crew fails to put a genuine smile on Kirks face.
Kirk is given a small reprieve from his pain when a very grouchy Dr Leonard Bones McCoy reluctantly beams aboard. And how delightful it is for we, the audience, to have the light-hearted relief that only he could bring!
Bones is characteristically incredulous when he learns that it was Kirk, himself, who had him drafted, but he falls most uncharacteristically silent when Kirk utters the unmistakably anguished line: Captain Will Decker and Lieutenant Ilia. The first character we meet is Decker, who was to be Captain of the Enterprise before Admiral Kirk stepped in to take over. You could be forgiven for thinking that this movie involved some kind of body-swap plot, because Captain Decker is everything that Admiral Kirk should be from what we know of the series.
The light blonde-brown hair, the smile, the cockiness, the humour. The similarities between these two men are endless, and they fall instantly into a hostile competitiveness, with Kirk lashing out in pain at the person who most closely resembles that which he used to be. Kirk is belligerent, intrusive, and makes bad decisions that endanger the crew. It is Captain Decker, representative of the old Kirk we all know and love, who steps in and saves the day.
Kirk later tells Decker to stop competing with him, but as Bones later mentions, it is clear that it is Kirk who is doing the competing, and his obsession with getting his old life back is blinding him to his responsibilities. It is clear from their interactions that Ilia and Decker are, at the very least, interested in each other.
When Ilia first appears, Decker positively lights up. Again, though, for some unfathomable reason, there is competition and challenge between Decker and Kirk. And not in a way that suggests Kirk has any romantic interest in Ilia, although she reminds Kirk of her vow of celibacy anyway. But Kirk seems to be grasping for something else that Decker has. The romantic music that plays in a later scene suggests that the two were probably once lovers.
An obvious question now comes to mind. If Decker is supposed to represent Kirk, who then does Ilia represent? Is there another exotic alien who Kirk once knew but is now separated from? But just as Spock is about to receive the symbol of pure logic, he stops the ritual.
A consciousness calling to him from space touches his human blood. The leader of the ritual tells Spock that answer lies elsewhere, and that his goal cannot be achieved on Vulcan. Fast forward a few scenes, and now we come to the turning point in the movie.
The Psychology of the Kirk/Spock Relationship
The Enterprise is contacted by a shuttle that wishes to lock on. The person in the shuttle is Spock! When he comes onto the bridge, everyone is glad to see him.
But no reaction comes close to that of Kirk. This is the reaction that he should have given the Enterprise. But as he watches Spock, his expression is a perfect mirror of the one he had when he saw his ship. Then, he smiled, but his eyes showed only pain. Now, he barely smiles, but his eyes positively sparkle.
When Spock, due to the Kolinahr, shows no emotion at seeing his old friend, Kirk looks down. But, in an astonishing twist, he shows no pain. As they enter warp drive, Kirk looks capable and in control; he even manages to give Checkov — and the audience - a wink.
With Spock aboard, he is now complete, whole, as though Spock was that integral part of him that made him Jim Kirk. Suddenly, alarms sound, announcing that there is an intruder on the Enterprise. Kirk guides Decker out of the room after Spock. Kirk does not say love, although Spock reiterates that Decker had a relationship with Ilia. Kirk and Spock speak many times about their friendship and how important it is to them, both in the series and in the movies that will follow The Motion Picture.
At that moment, the Ilia probe breaks through the sickbay door and orders Kirk to assist her. Decker, despite his earlier outrage, also has a look of affection, and the two go off together. As Decker spends time with the Ilia probe, he tries to elicit an emotional response. Finally, he shows her a game that they used to play. He places his hand on the table, and as the Ilia probe touches the table as well, she pauses and looks up at Decker, realization in her eyes.
When Chapel gives the Ilia probe a headband that Ilia used to wear, it works.
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She recognises Dr Chapel, and then turns to Decker. Decker is caught up in the moment, until McCoy reminds him that this is not the real Ilia, but a mechanism. Then she turns around, completely devoid of emotion, and removes the headband.