Abbott and Costello Meet the Killer, Boris Karloff - Wikipedia
Abbott and Costello Meet the Mummy is a horror comedy film directed by Charles Lamont and starring the comedy team of Abbott and Costello. It is the. Bud Abbott & Lou Costello Meet Frankenstein - the film's poster title - or Bud Abbott & Lou Costello Meet Frankenstein, The Wolfman and Dracula - the onscreen. Abbott and Costello Meet Frankenstein is a American horror comedy film directed by Charles Barton and starring the comedy team of Abbott and Costello.
Their first performance resulted from Abbott's regular partner becoming ill. The duo built an act by refining and reworking numerous burlesque sketches with Abbott as the devious straight man and Costello as the dimwitted comic. As a result, Costello affected a high-pitched, childish voice.
Abbott and Costello Meet Frankenstein - Wikiquote
Their program returned in its own weekly time slot starting on October 8, and Camel cigarettes as sponsor. Regulars and semi-regulars on the show included Artie Auerbach "Mr. Ken Niles was the show's longtime announcer, doubling as an exasperated foil to Costello, who routinely insulted his on-air wife played by Elvia Allman. Sound effects were handled primarily by Floyd Caton. The program finished its run in Cast in supporting roles, they stole the show with several classic routines, including the "Who's on First?
Universal signed them to a two-picture contract. However Buck Privates was so successful that the studio decided to delay its release so the team could hastily make and release a second service comedy, In The Navyco-starring crooner Dick Powell and the Andrews Sisters. This film initially out-grossed Buck Privates.
Loew's Criterion in Manhattan was open until 5 a. The film was eventually released as Hold That Ghost This was their last film with Arthur Lubin.Abbott and Costello Meet Frankenstein (1948) - Bela Lugosi - Lon Chaney Jr.
By the end of the film, the audience can see that Count Dracula proves to be the most monster-like character of them all. Being a vampire, he is also given the powers to control those around him.
This can be seen in the beginning of the movie as he escapes from the railway station after he hypnotizes Wilbur and as he bites Sandra as a way to force her to continue her work with their scheme.
Abbott and Costello
Dracula takes on a mad scientist role, like the one given to Frankenstein in the Hammer Studios Series. Both Frankenstein and Dracula show no remorse for their actions and thrive on the concept of using others to get to their own personal destinations. Like Frankenstein, Count Dracula's vampire powers allow him to manipulate the characters around him as pawns through his endeavor of completing his experiment. The film was given this honor by being recognized as "culturally, historically, or aesthetically significant".
Abbott and Costello Meet Frankenstein also received a warm reception from Readers Digest as it was named one of the top funniest films of all time Wikipedia.
- Abbott and Costello Meet Frankenstein
- Category:Abbott and Costello films
- Abbott and Costello Meet Frankenstein (1948)
Significance Abbott and Costello Meet Frankenstein has become culturally significant because of what it accomplishes. Universal Studios parodies itself by poking fun at the long list of monster movies it has distributed: FrankensteinThe Wolf ManDracula to name a few.
The original horror films produced by Universal gathered a following based on a love for the combination of monstrosity and fear. This film takes these two concepts and offers a completely new perspective. The comedy causes the audience to rethink the collective fear of monstrosity and asks for a different response: This laughter can be found in the actor casting itself as each monster is played by the same actor as the original Universal films.
With this decision, Universal is playing with the understanding that the audience has most likely already seen these actors in their plethora of monster films, and it asks the audience to see the cast like never before, in a lighter, comically entertaining format accompanying the famous comedy duo: The casting of Bud Abbott and Lou Costello is another reason for laughs as their interactions with one another lighten the typical fear in movies of being in the presence of three notorious monsters.
The constant comedic mood created by Abbott and Costello as well as the basic concept of the film to parody monster movies led to a development of films following the same lead, like Young Frankenstein Together, these films embrace the comedy in absurdity and monstrosity. Abbott and Costello Meet Frankenstein left behind a legacy by forcing audiences to come face to face with their fears to laugh at them.
The film requires the audience to question the rationale behind the fear of monstrosity, as it is put alongside Abbott and Costello and manipulated in ways that make it more hysterically entertaining than it ever was scary.